ZACAICA

Monday, February 26, 2007

THE CHORISTS


The story lapses almost completely inside the school, except the brief scenes in those that mediate later century, two of those boys (Pierre and Pepinot) of the choir they read the teacher's memoirs.
Mathieu (Gérard Jugnot), former music professor, begins to work in a boarding school for boys "with problems" (orphan boys or of poor families that cannot be taken charge of them).Mathieu undertakes the task of forming a choir with them. Pierre is an undisciplined boy to which Mathieu determines to guide at the time that he dedicates his hours extras to teach him music; there is also a shy boy of which the partners take advantage (Pepinot); a managing tyrant that imparts in the school a regime atrocious militarist (under the motto that justifies the punishments, maybe repeated too many times in different characters' mouth: "action-reaction") and a goody porter that unites to our main character's cause.
The movie takes to meditate that the patience, the delivery and the constant commitment is much better than the psychological and physical abuse that is still fomented in some schools. At the same time it is a good resource to show the difference in the results of the attitudes of the minor, when I know they exploit the capacities of the children and it is respected to the other one, or when on the contrary some control devices and punishment are generated that perpetuate as only road the human being's aggressive behaviours. The most prominent thing obviously is the music, and the way in that it spins the history and it achieves all the children to change, this represented in a beautiful, simple way but without stopping to be complex in the sentimental environment. Obviously is the music, and the way in that it spins the history and it achieves all the children to change, this represented in a beautiful, simple way but without stopping to be complex in the sentimental environment.

Mathieu began to plan a change for "to rescue" to the children and he discovered that the music attracts the interest of the students powerfully, reason why he surrenders to the task of familiarizing them with the song. He is able to form with them a choir and, thanks to the power and the music's magic, the teacher gets that his lives change forever.
This professor should be an example to continue since among the educational community his dedication and conviction for what wanted to get they are really admirable. at the present time it is hindered a lot of being like Mathieu, for example in Venezuela the students of basic and half teaching are no longer as those of "before"; now they are waking up before to the world, for the globalization and the current easiness to acquire knowledge, abilities and positive and negative attitudes in this era of the information, for what is very difficult for the professors to guide them and to make them follow an on the way to agreement to the Venezuelan education ideal.
Concluding, there are still professors like Mathieu that give everything to get their students to leave ahead and their good obtained results the they motivate to continue ahead.

EXERCICES OF TRIKI WORDS...

DO THIS EXERCICES WITH THE PROFFESOR ZACAICA
http://perso.wanadoo.es/autoenglish/freeexercises.htm#TRICKY%20WORDSDS


Friday, February 23, 2007

THE USE OF THE FUTURE FORM. Exercices and more!

SINGER!! BEYONCÈ KNOWLES


What do you know about her?
Is she Famous?
Is she an Actres?
Where was she born?
Do you like her songs?

http://www.beyonceonline.com/


Beyonce
Naughty Girl .

I'm feeling sexy
I wanna hear you say my name boy
If you can reach me
You can feel my burning flame
I'm feeling kind of n-a-s-t-y
I might just take you home with me
Baby the minute I feel your energy
Your vibe's just taken over me
Start feeling so crazy babe
I feel the funk coming over me
I don't know what's gotten into me
The rhythm's got me feeling so crazy babe
Tonight i'll be your naughty girl
I'm calling all my girls
We're gonna turn this party out
I know you want my body
Tonight i'll be your naughty girl
I'm calling all my girls
I see you look me up and down
And I came to party


You're so sexy, tonight I am all yours boy
The way your body moves across the floor
You got me feeling n-a-s-t-y
I might just take you home with me
Baby the minute I feel your energy
The vibe's just taken over me
Start feeling so crazy babe
I feel the funk coming over me
I don't know what's gotten into me
The rhythm's got me feeling so crazy babe
Tonight i'll be your naughty girl
I'm calling all my girls
We're gonna turn this party out
I know you want my body
Tonight i'll be your naughty girl
I'm calling all my girls
I see you look me up and down
And I came to party


I love to love you baby
I love to love you baby
I love to love you baby
Tonight i'll be your naughty girl
I'm calling all my girls
We're gonna turn this party out
I know you want my body
Tonight i'll be your naughty girl
I'm calling all my girls
I see you look me up and down
And I came to party
(Repeat to end)

Thursday, February 01, 2007

Play de game TIC-TAC-TOE!!

HERE YOU CAN FIND MY GROUP BLOG ABOUT UNIT 11 SELL.
http://www.adolescenceandadvertising.blogspot.com/




http://english-zone.com/funstuff/ttt.html

PLAY WITH MIKE MOUSE!! IF HE CAN, YOU CAN TOO!!

How to use a relative clause?

Use relative clauses to provide extra information. This information can either define something (defining clause), or provide unnecessary, but interesting, added information (non-defining clause).
Relative clauses can be introduced by:
a relative pronoun: who (whom), which, that, whose
no relative pronoun, Ø.

where, why and when instead of a relative pronoun
You need to consider the following when deciding which relative pronoun to use:

Is the subject or object or possessive of a relative clause?
Does it refer to a person or an object?
Is the relative clause a defining or non-defining relative clause?

NOTE: Relative clauses are often used in both spoken and written English. There is a tendency to use non-defining relative clauses mostly in written, rather than in spoken, English.

The Use Of Where, Why And When - Relative Clauses and Preposition Use.

Where, referring to a place, why, referring to a reason, and when, referring to a time, can be used instead of a relative pronoun after a noun.

In defining relative clauses why and when, unlike where can be omitted.

Example: I'd like to know the reason (why) he decided not to come.February is the month (when) many of my colleagues take skiing holidays.
BUT! She always had wanted to go to a place where she could speak her native tongue.
When, where and why are not omitted in non-defining relative clauses.


Example: I come from the Seattle area, where many successful companies such as Microsoft and Boeing are located, and I often go home during the summer.He likes shopping between one and three, when most people are at home, because of the relative calm.

NOTES:
When speaking, we often omit the relative pronoun.
Whom is formal and most often used when writing.